Andy Warhol
on white paper, 1955/1957, an unsigned work,
with Warhol Foundation archive numbers
verso reference
43.2 x 35.6 cm
Provenance: The Estate of Andy Warhol and
thence , the Andy Warhol Foundation for the
Visual Arts. Acquired from them directly.
Note: Long before his rise to the pinnacle of
pop art, Andy Warhol created a series of
seductive drawings celebrating male beauty.
The book “Andy Warhol Love, Sex & Desire:
Drawings 1950-1962” (a copy of which is
provided gratis to the buyer of this piece)
contains over 300 of these works, mostly
done in ink on paper. The sheets show young
men, some naked, some in sexually charged
poses, others adorned with teasing black
hearts. They hang around, flirtatiously
flaunting their flawless bodies, or seem bored
in the most attractive way. They rarely look in
the direction of the attentive viewer, who
concentrates entirely on their body shapes,
erotic qualities and unforced sexuality. Warhol was already a successful advertising illustrator when he
exhibited studies from this body of work in 1956 at New York's Bodley Gallery on the Upper East Side. The
drawings should pave his way into the New York art scene, but he underestimated the prevailing
homophobia at the time. Although he made more than a thousand of these elegant, seemingly effortless
nude drawings, his original desire to publish them in a monograph was never completed. The volume is
catching up on the project posthumously. In collaboration with the Andy Warhol Foundation for the Visual
Arts, the most beautiful and striking images have been selected and published here for the very first time.
Edited and with an introduction by Michael Dayton Hermann of the Warhol Foundation, the volume includes
essays by Warhol biographer Blake Gopnik and art critic Drew Zeiba. Plus poetry by James Baldwin , Thom
Gunn, Harold Norse, Essex Hemphill and Allen Ginsberg, creating moments of introspection and perfectly
complementing the themes and moods depicted in the drawings. Stylistically, the drawings are reminiscent of
the sketches by Jean Cocteau and even Matisse: highly condensed and very sure of the lines, yet with a
stimulating freedom and looseness. This cunning voyeurism - even the most daring drawings contain a kind
of whimsical humour and sense of wry detachment - would soon become a trademark of Warhol. His
confident hand illustrates a variety of colourful characters, but also reveals much about this enigmatic artist
himself.