Influenced by the simplicity of Danish design, Rachel’s aesthetic embraces clean lines, organic shapes, and a muted, earthy palette. She works primarily with grogged stoneware, celebrating its natural texture and the quiet beauty of its imperfections. Her sculptures are contemplative objects—meant to be paused with, noticed, and felt.
At the heart of her practice is a balance: between strength and softness, structure and fluidity, familiarity and abstraction. Her pieces do more than occupy space—they hold presence.
Rachel’s sculptures are hand-built using traditional coiling methods. The process is slow and intuitive, giving each form time to emerge and evolve naturally. She is drawn to curves, soft edges, and surfaces that invite touch. Rather than decorate the surface, she lets the form and texture speak for themselves.
Her inspiration comes from many places. Some works are shaped by nature—seeds, stones, or the body—while others reflect personal stories. Often, her sculptures hold the quiet power of strong female figures, a reflection of the resilience she has found in herself.
Each piece begins as a simple sketch, but the clay has its own voice. As she works, shapes shift and grow, guided by the feel of the material in her hands.
Rachel’s journey into ceramics began later in life. After a career in social work and time living in South Africa, she took a pottery class and quickly felt a deep connection. Working with clay became a way to slow down, to reconnect, and to create with intention. It gave her both a creative outlet and a new sense of purpose.
She is a selected member of the Craft Potters Association, Design-Nation, and Find a Maker.